The National Art Museum of Ukraine (6 Hrushevsky St.) recently saw the opening of an exhibit by the outstanding Ukrainian artist Tetiana Yablonska (1917-2005). Among those present at the launch were the artist’s sister and daughter. The exhibit features Yablonska’s final works from 2003-2005.
Yablonska’s daughter Atayan Gayane said that after her mother had a stroke a few years ago, she could use only her left hand. But she resumed painting and practically restored her creative abilities. Even her daughter did not believe it would happen until it did. Yablonska’s powerful gift and extraordinary willpower worked a miracle.
True, she had to switch to pastel crayons and her last pictures reflect this medium. The level of harmony in these landscapes and still lifes is amazing. Looking at them, one can physically feel sunbeams flowing and revolving around various objects: oranges, birds, and flowers. They draw the viewer into a bright, cozily tender, and somewhat festive reality.
Naturally, the brilliant artist’s final work, Dzvinochky (Little Bells), created on June 16, 2005, attracted great interest. Small violet bells seem to be curling and swimming against a green backdrop that turns into an open window. This outwardly simple still life evokes mystic feelings. Yet there is no coldness in these feelings, only the warmth of love.
Visitors were especially eager to see this painting, standing on an easel off to the side. Press photographers could not get a shot of the canvas because of the visitors crowding in front of it, eager to see it with their own eyes.
Yablonska, a three-time state prize winner, enjoyed great success during her career, and since her death her name has generated considerable public excitement. Her works emit an enigmatic, metaphysical force that allowed the artist to create her masterpieces. (Only some of her works, like Khlib (Bread) can be remotely attributed to Socialist Realism.)
Yablonska’s works are timeless and without social subtexts. You can see for yourself if you visit the exhibit. There are very few masters like Tetiana Yablonska.
